Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Erich Korngold was the pioneer composer of the Hollywood film score during the 1930s and ’40s when, working at the...
Reviewed by Adrian Edwards in issue: 3/2002
During the decade leading up to the First World War, York Bowen (1884-1961) was one of the brightest and most...
Reviewed by Andrew Achenbach in issue: 7/2005
Harri Vuori (b1957) came relatively late to music, not starting to study until his mid-teens. His teachers included Heininen, Hämeenniemi...
Reviewed by Guy Rickards in issue: 9/2008
In the booklet, Bo Holten and interviewer Mark Wiggins discuss the performance practice options open to modern performers in a...
Reviewed by David Vickers in issue: 3/2009
Even more, perhaps, than the solo piano music, Mozart's piano duet works, with their inevitably rather thick and low-pitched textures,...
Reviewed by Stanley Sadie in issue: 6/1994
An extraordinary piece, Schoenberg’s 1946 String Trio: uncompromising creative rigour applied to genuinely expressive ends. Terse, aphoristic, haunting and disruptive,...
Reviewed by Rob Cowan in issue: 9/2005
The Arte Nova Voices series introduces a number of up-and-coming singers on early solo CDs. In fact, the first disc...
Reviewed by Richard Fairman in issue: 4/2001
A triumph in the composer’s lifetime, Giulio Cesare remains the public’s favourite Handel opera, with good reason. The characters, most...
Reviewed by Richard Wigmore in issue: 8/2010
I have enthused about this conductorless chamber orchestra, especially their outstanding all-Copland release also on DG (see my ''Gramophone Collection'',...
Reviewed by Peter Dickinson in issue: 10/1994
Marc Minkowski’s desire to conjure a Rameau symphony is understandable. It is disappointing not to have a contribution to this...
Reviewed by Julie Anne Sadie in issue: 13/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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