Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Compared with many Philadelphia recordings of the late seventies this one is warm and natural, with Perlman not so closely...
Reviewed by Edward Greenfield in issue: 4/1985
In his last and greatest string quartet Schubert seems to have set out, like Mahler, to contain the world. In...
Reviewed by Stephen Johnson in issue: 10/1989
Just when you've given up hope of hearing a recording of Busoni's opera Turandot on disc what happens—two come along...
Reviewed by Michael Stewart in issue: 11/1993
The Music in St Petersburg series is turning up some interesting pieces, as well as contributing to the picture of...
Reviewed by John Warrack in issue: 6/1999
Here's a spirited pair of performances from the Iceland SO under its intelligent young Finnish chief. In the first and...
Reviewed by Andrew Achenbach in issue: 3/2000
In spite of the unfortunate sleeve design—shades of a Hollywood promotion and voluptuous in a cinematic way—Slatkin's is a very...
Reviewed by Ivan March in issue: 4/1995
Forget about Bach in period costume, so to speak. Alexandre Tharaud offers unashamedly full-blooded pianism, using a Steinway Model D,...
Reviewed by Nalen Anthoni in issue: 9/2005
He “liked it very much”, so wrote the 12-year-old Mendelssohn after introducing his recently completed G minor Sonata to the...
Reviewed by Joan Chissell in issue: 5/1998
Wand's second recording of Bruckner's Fourth Symphony and Dohnanyi's first bring no particular surprises from the interpretative point of view...
Reviewed by Richard Osborne in issue: 10/1991
Newcomers to the English catalogue, the Mirecourt Trio are artists-in-residence at Grinnell College, Iowa, as well as busy concert-givers, with...
Reviewed by Joan Chissell in issue: 3/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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