Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Linda di Chamounix came towards the end of Donizetti’s composing career. It was first performed in May 1842 at the...
Reviewed by Richard Lawrence in issue: 8/2011
Busoni’s first mature opera occupied him for seven years (1905-11). He may not have been as natural a man of...
Reviewed by Arnold Whittall in issue: 10/1999
It was a delightful idea to bring together three winning works for the rare combination of clarinet, viola and piano,...
Reviewed by Edward Greenfield in issue: 8/1989
How very good to hear Ansseau again: the rekindling of an old affection, recognition of the distinctive timbre, the conviction...
Reviewed in issue 1/1991
There is not so much a world of difference between these two performances of the Eroica Symphony as an intergalactic...
Reviewed by Richard Osborne in issue: 7/1997
The Concerto funebre (1939, rev 1959) has fared better on disc than any other Hartmann work, even the Sixth Symphony....
Reviewed by Guy Rickards in issue: 9/2007
Of the present four British works from around 1930 – two of them (the Bax and the Moeran) not otherwise...
Reviewed by Lionel Salter in issue: 12/1995
Now here’s something different! London Concertante’s leader Adam Summerhayes and the orchestra’s principal second violin Emil Chakalov met when they...
Reviewed by Andrew Lamb in issue: 4/2008
It was Alfred Deller who, with the help of Desmond Dupre, and the gramophone, first brought John Dowland's lute-songs to...
Reviewed by John Duarte in issue: 7/1989
I reviewed each of the four single discs which make up Dohnanyi's Brahms cycle, but though I had a clear...
Reviewed in issue 6/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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