Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
At the height of his powers as a cellist in the 1960s‚ Rostropovich had an enormous repertory‚ ranging from the...
Reviewed in issue 12/2001
I read somewhere recently that no record company was planning a new Beethoven cycle this side of the year 2000,...
Reviewed by Richard Osborne in issue: 8/1996
With the Enigma Variations on CD it is an obvious advantage having all the separate variations individually banded, which allows...
Reviewed by Edward Greenfield in issue: 11/1984
It’s pleasant to be able to welcome a new recording of the unaccountably neglected Franck Quartet. Admirers of the Piano...
Reviewed by DuncanDruce in issue: 1/2006
Aribert Reimann is most renowned for the adventurous spirit of his operas and for his “day job” as a Lieder-accompanist...
Reviewed by Philip_Clark in issue: 3/2008
It is something of a mystery why Bach, usually alive to opportunities to make known his mastery of various musical...
Reviewed by Lionel Salter in issue: 2/1994
The approaching procession in A Ceremony of Carols, vividly effective, sets the tone of confidence which rings through the performance....
Reviewed in issue 12/1986
This pairing of Haydn's last, and most imposing, D major symphonies has many of the positive features of Mackerras's Mozart...
Reviewed by Richard Wigmore in issue: 2/1993
In common with previous volumes in the series, this issue presents music from the 1950s and 1960s (Ten Pieces, Bagatelles)...
Reviewed by Fabrice Fitch in issue: 4/1998
Jose Carreras singing Zemlinsky, Schreker and Elgar – not something one might have predicted. On listening, however, not many people...
Reviewed by po'connor in issue: 1/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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