Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The most recent of Il Giardino Armonico's releases brings together six of Vivaldi's concertos for two and three solo string...
Reviewed in issue 8/1995
This is the second instalment of Strauss accompanying his own songs taken from Austrian Radio broadcasts of 1942: I reviewed...
Reviewed by Alan Blyth in issue: 10/1992
This is certainly one of the most enjoyable recent releases of Glass’s music. There is something fresh about both works,...
Reviewed by Ivan Moody in issue: 12/2006
When Livia Rev recorded Book 1 of Debussy's Preludes for Saga in 1975 (nla) she deservedly found a welcome for...
Reviewed by Christopher Headington in issue: 1/1991
Lavinia Meijer here offers a delightful sequence of pieces for solo harp by mostly French composers. The harp has long...
Reviewed by Edward Greenfield in issue: 8/2011
Atterberg is best known for his genial Sixth Symphony – the Dollar Symphony, so-called as it won a $10,000 prize...
Reviewed by Robert Layton in issue: 2/1999
Of all the highways and byways trekked by the durable Rene Jacobs in the last 30 years, Caspar Kittel is...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2000
Australian composer Peter Sculthorpe (b. 1929) writes in an appealingly approachable, strongly characterful idiom, yet his music always retains its...
Reviewed by Andrew Achenbach in issue: 11/1995
The dazzling virtuosity displayed on this disc by the Chamber Orchestra of Europe makes me wonder why such a fuss...
Reviewed in issue 8/1992
Now 71, Jorge Bolet has had time to cultivate self-control. In the heat of excitement he neither surges ahead nor...
Reviewed by Joan Chissell in issue: 12/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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