Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is the first account of Dvorak's New World to exceed the 50-minute barrier, and that statistic is the more...
Reviewed by Edward Greenfield in issue: 10/1989
Even in 1957, when it was first issued, this was an old-fashioned performance. Only, it seems to me, the most...
Reviewed by Stanley Sadie in issue: 2/1995
Eighty-two years on and still no professional staging in Britain for this freshest, wisest, most ebullient and humane of twentieth-century...
Reviewed in issue 12/1988
These three symphonies, all very early, come as a necessary supplement to Christopher Hogwood's formidable set of the complete Mozart...
Reviewed by Edward Greenfield in issue: 2/1987
Before settling into a career as a brilliant conductor, Oskar Fried (1871–1941) tried his hand at painting, composing, dog training...
Reviewed in issue 2/1993
In a letter to his father of April 1781 Mozart wrote that one of his symphonies (almost certainly either the...
Reviewed by Richard Wigmore in issue: 4/1993
With a performance of Elgar's Second Symphony lasting 62½ minutes, we are into Sinopoli territory. The difference is that whereas...
Reviewed in issue 9/1991
If you regard Beethoven's two little Op 49 sonatas as easy on the fingers, simple and unpretentious, then András Schiff's...
Reviewed by Jed Distler in issue: 2/2007
Robert Holl’s craggy bass-baritone is an undeniably imposing instrument. He is also an intelligent, thoughtful artist who can soften his...
Reviewed by Richard Wigmore in issue: 2/2009
I am never sure whether a charivari of musical items interspersed with readings really works on CD, though it may...
Reviewed by mberry in issue: 12/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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