Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This disc completes the Endellions’ Tchaikovsky set. The elegiac Third Quartet shows a typically spirited approach, with wide-ranging expression. The...
Reviewed by DuncanDruce in issue: 12/2005
The key to the spirit of this remarkable performance comes on page six of Benjamin Zander’s booklet-note: ‘The ideal orchestra...
Reviewed by Stephen Johnson in issue: 4/1999
There is much to be said in favour of both these new CDs of the Scottish Symphony. Dohnanyi in his...
Reviewed by Edward Greenfield in issue: 3/1989
This is a marvellous record which does the fullest justice to the art of Dennis Brain, whom Boyd Neel called...
Reviewed by Ivan March in issue: /2000
King Arthur was conceived as a libretto by John Dryden as early as 1684 but since it conveyed extreme partiality...
Reviewed in issue 6/1995
At the famous tenor's New York debut, Opera magazine's critic reported that Corelli did not appear to be ''too bright'',...
Reviewed in issue 7/1989
In the tradition of the Bang On A Can All-Stars album, “Industry” (Sony Classical, 2/96), the 20 members of Alarm...
Reviewed by David Gutman in issue: 11/2009
This superb disc contains a balanced cross-section of John Rutter’s sacred choral music, spanning over a quarter century and featuring...
Reviewed in issue 8/2001
Late Haydn and early Beethoven make a facscinating coupling of contrasts and similarities thanks to Dejan Lazic’s strongly characterised performances....
Reviewed by Edward Greenfield in issue: 13/2004
As a calling-card for a young singer entering the profession, Hyunah Yu's ambitious recital shows enough genuine quality to justify...
Reviewed by Jonathan Freeman-Attwood in issue: 2/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.