Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Strange we’ve had to wait such an age for a modern version of Bliss’s Violin Concerto. Written in 1953-54 for...
Reviewed by Andrew Achenbach in issue: 11/2006
Edward MacDowell (1861-1908) - whose brief life was dogged by tragedy - was understandably deferential to the European tradition. Indeed,...
Reviewed by Bryce Morrison in issue: 4/2000
''Terribly good and terribly boring'', as Philip Hope-Wallace would genially murmur from time to time. On the stage Samuel Ramey...
Reviewed in issue 7/1989
The King's College Choir's contribution to this performance of Rossini's exquisite late setting of the Mass sounds even more sublimely...
Reviewed by Richard Osborne in issue: 6/1987
Whatever surprises Sony’s Ligeti Edition holds in store over the coming months, it isn’t likely to get any stranger than...
Reviewed in issue 1/1997
Peter Hill's Messiaen recordings are appearing at a most opportune time. The piano music is one of the cornerstones of...
Reviewed in issue 11/1986
Iain Burnside’s Tuesday afternoon Voices programme on BBC Radio 3 regularly comes up with surprising song repertory of every kind,...
Reviewed by Patrick O'Connor in issue: 8/2003
She was the first singer who, heard 'in the flesh', gave me the kind of thrill I associated with the...
Reviewed in issue 12/1992
It is fitting that two new recordings of Weill and Brecht's ballet chante should be issued in this year of...
Reviewed by Patrick O'Connor in issue: 12/1993
Juliane Banse made her international reputation in the light lyric Mozart roles, including a delightful Zerlina at Glyndebourne. She recently...
Reviewed by Richard Wigmore in issue: 12/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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