Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is a special New Year’s concert in the Vienna Musikvereinsaal: on the organ pipes behind the orchestra‚ a...
Reviewed in issue 5/2002
Aaron Jay Kernis (b 1960) has recently been receiving wide attention and frequent performances in North America. His music is...
Reviewed in issue 8/2001
The composer we meet here is certainly no fragile, invalid dreamer. Malcolm Frager is a bold Chopin player with strong...
Reviewed by Joan Chissell in issue: 6/1991
Influenced by Bartok, the Scottish composer Erik Chisholm (1904-65) drew inspiration from his national folk music. This enterprising if uneven...
Reviewed by Tim Parry in issue: 12/1998
Hard on the heels of Universal Classics’ mid-price reissue of Jerzy Maksymiuk’s Gramophone Award-winning first recording of The Confession of...
Reviewed by Andrew Achenbach in issue: 5/2005
The elixir works its magic. The audience, which rather like the show itself takes time to warm up, by the...
Reviewed by John Steane in issue: 8/2010
Arnold Cooke, who died last year, has not yet received his due. This enterprising triptych of world premiere recordings courtesy...
Reviewed by Andrew Achenbach in issue: 9/2006
This is one of the most impressive pieces of programming I have experienced in a long time. Not only do...
Reviewed by kYlzrO1BaC7A in issue: 12/2007
Teldec's welcome British Line series continues with this intelligent, at times mightily impressive account of The Planets. About Tony Faulkner's...
Reviewed by Andrew Achenbach in issue: 12/1994
I remember hearing with wonderment the arching theme of a Lamentations tone, sung by a Yemenite cantor newly arrived in...
Reviewed by mberry in issue: 6/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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