Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In almost every respect this is an ideal performance of the Fourth Symphony. A skilfully managed blend of classical strength...
Reviewed in issue 11/1994
In 1722 Vivaldi’s career hit a few snags in his native Venice, but very little of his music had yet...
Reviewed by David Vickers in issue: 3/2011
Recordings of the Op. 39 Liederkreis seem to proliferate by the month. What makes any definitive comparison or choice hard...
Reviewed by Alan Blyth in issue: 11/1994
A warning first: don’t be tempted to turn up the sound because a harsh violin will dominate. The keyboard is...
Reviewed by Nalen Anthoni in issue: 9/2005
Mozart's violin sonatas? Yes, of course they are a major body of work. Beethoven's? Indeed, so are they, and are...
Reviewed by Christopher Headington in issue: 3/1993
The Danish composer Hans Abrahamsen is now in his mid-40s and is represented in the CD catalogues by a symphony...
Reviewed by Robert Layton in issue: 7/1998
Handel is at his most dramatic, his most tragic, in these three remarkable cantatas about women in extremis - one...
Reviewed by Stanley Sadie in issue: 4/2000
We already have three versions of Dido and Aeneas on CD, and those in 'authentic' versions by Andrew Parrott (Chandos...
Reviewed in issue 4/1986
Full marks to the six pianists of Piano Circus for creating a repertoire out of nothing. When the group was...
Reviewed in issue 1/1993
Three of the compositions on this disc offer ideal introductions to Jonathan Harvey’s work‚ showing how music centering on a...
Reviewed in issue 10/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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