Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As this is the first complete recording of these suites on CD, a little background information may not be out...
Reviewed by John Duarte in issue: 2/1990
The Op. 44 Quartets date from Mendelssohn's all-too-brief maturity, and must surely count among the most attractive in the repertory....
Reviewed in issue 5/1994
After his impressive record of mature orchestral Wagner, D'Avalos turns to early melodrama. Wagner wrote Die Feen when he was...
Reviewed by Ivan March in issue: 10/1990
Berwald's is one of those names that lie on the fringes of our musical universe rather than in the centre:...
Reviewed by Robert Layton in issue: 6/1994
Ayako Uehara is not only the first woman to win the Tchaikovsky International Piano Competition but also the first Japanese...
Reviewed by Bryce Morrison in issue: 7/2004
Most of the part-songs here evoke some aspect of night, whether benevolent, romantic, transfigured or sinister; and between them they...
Reviewed by Richard Wigmore in issue: 5/1999
Nono ‘for beginners’ might seem an unlikely prospect given the uncompromising nature of his music‚ but this new disc fits...
Reviewed in issue 9/2002
Though the performers and the works are all Czech, the technicians behind this Exton issue are all Japanese, with the...
Reviewed by Edward Greenfield in issue: 8/2009
Dmitri Kabalevsky’s two-movement First Symphony (1932) combines local colour and sustained development to enjoyable effect. Even finer is its successor...
Reviewed by Andrew Achenbach in issue: 10/1998
Let’s clear snobbery and misapprehension out of the way first. Lord was a leading light of the group Deep Purple,...
Reviewed by Mike Ashman in issue: 7/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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