Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If you can imagine a fusion of Fauré and César Franck, it goes part of the way to evoking the...
Reviewed by Geoffrey Norris in issue: 7/2010
Midway through the sacred cantatas, Mazaaki Suzuki and his seasoned Collegium are beginning what is, presumably, a mini-series of the...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2005
The two L'Arlesienne suites arranged from Bizet's incidental music and the corresponding ones from Carmen are well represented in the...
Reviewed by Christopher Headington in issue: 12/1994
In the last couple of decades or so, a number of recordings of early operas have appeared that have both...
Reviewed by Lionel Salter in issue: 7/1999
This splendidly produced collection will surprise and, I believe, delight. Lehar’s mastery of the orchestra has never been in doubt;...
Reviewed by Andrew Lamb in issue: 7/1998
These are, as one would expect, excellent performances of some captivatingly colourful music. The Russian Easter Festival Overture is perhaps...
Reviewed by John Warrack in issue: 2/1989
To read RL's erudite and on the whole, enthusiastic exposition on this valuable grouping of the Sibelius tone-poems, you will...
Reviewed in issue 9/1986
''The ocean is constantly changing; it never stays the same. '' So says the consistently charismatic Jascha Heifetz about his...
Reviewed in issue 7/1995
This new issue was clearly made in conjunction with a concert performance, since there is a photograph on the back...
Reviewed in issue 5/1992
The appearance of the young Hagen Quartet from Austria is so agreeable in Hugo Jehle's sleeve-photo, taken against an appropriate...
Reviewed by Christopher Headington in issue: 10/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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