Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A quiet strain of melancholy passes through all three of Gavin Bryars’ string quartets‚ though the Third and latest –...
Reviewed in issue 6/2002
As a glance at the above will show, this is not the old Beaux Arts version, for whose restoration I...
Reviewed by Robert Layton in issue: 12/1989
Wolpe’s cool unfolding of Berg’s dauntingly concentrated Piano Sonata has its merits, though her playing is not notable for finesse...
Reviewed by Richard Wigmore in issue: 8/1999
These works date from between 1968 and 1998, written by a professor of composition in that period and sounding so....
Reviewed in issue 10/1999
I haven't enjoyed Britten's endlessly resourceful Young Person's Guide so much in ages. Both Slatkin and Hickox turn in strikingly...
Reviewed by Andrew Achenbach in issue: 3/1994
It is thanks to the enterprise of violinist Philippe Graffin that we now have this premiere recording of the Elgar...
Reviewed by Edward Greenfield in issue: 6/2006
The Gershwins would doubtless have been flattered that so iconic a figure as Nikolaus Harnoncourt had taken up Porgy and...
Reviewed by Edward Seckerson in issue: 1/2010
When, in 1989, Scottish Opera and English National Opera shared a production of Kurt Weill's Street Scene, two separate complete...
Reviewed by Andrew Lamb in issue: 11/1991
Here is a CD reissue of a little known LP recording (never generally obtainable in the UK) that should gladden...
Reviewed by Richard Osborne in issue: 12/1992
In the early and middle years of her career, Schwarzkopf was a Bach singer of brilliance and sensibility. What is...
Reviewed by Richard Osborne in issue: 6/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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