Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Philip Wilby’s versatility as a composer has encompassed all forms of instrumental and vocal music but he’s particularly renowned for...
Reviewed by Christopher Nickol in issue: 12/2011
Britten wrote nothing more sensuous, indeed more sensual than the scene in Act 2 here between Tytania and the transformed...
Reviewed by Alan Blyth in issue: 8/1993
This DVD version of Hänsel und Gretel starts well with the glorious horns of the Dresden Staatskapelle in the overture,...
Reviewed by Edward Greenfield in issue: 8/2007
Whatever the reputation of Evgeni Svetlanov the apparatchik, his big, bold musical personality was treasured by many and is everywhere...
Reviewed by David Gutman in issue: 1/2008
After an initial career as a church musician in Toulouse and later in Paris at Notre-Dame, André Campra abandoned it...
Reviewed by Julie Anne Sadie in issue: 4/2004
Lovely to hear each of these four masterpieces granted its own unique personality. Try by way of an example the...
Reviewed by Rob Cowan in issue: 11/2007
Here is an enticing programme of eclectic, always tuneful works, most attractively laid out for two pianos. The dream-like Aubade,...
Reviewed by Ivan March in issue: 11/1997
Orfeo have picked up the challenge of recording at least one of Verdi's early operas where Philips dropped it. Not...
Reviewed by Alan Blyth in issue: 1/1984
Because Sir John Barbirolli’s studio recording of Ein Heldenleben appeared posthumously, as Sir Thomas Beecham’s stereo remake had done, it...
Reviewed by David Gutman in issue: 2/2001
GianCarlo Menotti’s lyrical Violin Concerto of 1952‚ one of his most popular instrumental works‚ is here neatly coupled with première...
Reviewed in issue 5/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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