Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s a pity: we never celebrated Richard Lewis in his lifetime, and if it is true that during his last...
Reviewed in issue 9/1998
This is an attractive Britten programme, extremely well performed by these Montreal players under Yuli Turovsky. The recording, too, is...
Reviewed in issue 2/1991
As the note puts it, ''the Borodin Quartet is not four different instruments, it is one instrument with sixteen strings''....
Reviewed in issue 6/1989
Timothy Roberts’ artistic guidance of His Majestys Sagbutts and Cornetts deserves top plaudits here. Sit back and imagine the elderly...
Reviewed in issue 6/2002
The Britten and Shostakovich sonatas make such an instructive coupling that it's surprising no one has attempted it on record...
Reviewed by Stephen Johnson in issue: 10/1989
The main news here is the first recording of Waxman’s Auld Lang Syne Variations – I imagine this will feature...
Reviewed in issue 8/1999
These are expert performances of extrovert music. Radovan Vlatkovic is an accomplished soloist, and Jeffrey Tate and the English Chamber...
Reviewed by Christopher Headington in issue: 10/1994
It is not unusual to hear the music of composers of the Baroque period being subjected to what in literary...
Reviewed by Richard Osborne in issue: 5/2010
The Hilliard Ensemble have always had an interest in commissioning and performing works by living composers, but apart from a...
Reviewed by Fabrice Fitch in issue: 1/1997
Hamburg’s archive of early TV recordings has yielded up stronger productions of 20th-century work (the Wozzeck, Globolinks and Devils of...
Reviewed by Mike Ashman in issue: 9/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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