Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Cardinall’s Musick have gone from strength to strength in recent recordings. Successive releases have brought increased solidity and breadth,...
Reviewed by Fabrice Fitch in issue: 9/1997
After having heard the guitarist Francesco Corbetta (1615-81), who was then in the service of Charles II, Samuel Pepys noted...
Reviewed by William Yeoman in issue: 3/2007
These two performers won the Francis Poulenc Prize in the Paris International Song Competition in 1999. Among their many virtues...
Reviewed by rnichols in issue: 11/2002
Giacomo Carissimi (1605-74) spent almost his entire life near or in Rome and pioneered the genre of sacred music drama...
Reviewed by David Vickers in issue: 10/2010
Orphée et Eurydice is performed in the arrangement that Berlioz made in 1859 for the French mezzo-soprano Pauline Viardot. He...
Reviewed by Richard Lawrence in issue: 6/2009
There is a profusion of collections of trumpet concertos currently available by a number of virtuosos, including Maurice Andre and,...
Reviewed by Ivan March in issue: 4/1989
Both David Zinman and Daniel Barenboim have recorded Schumann’s symphonies before, Barenboim in Chicago in the late 1970s, Zinman in...
Reviewed by Rob Cowan in issue: 5/2004
It is to be expected that an artist who has made one of the outstanding recordings of the Liszt concertos...
Reviewed in issue 10/1991
Hot on the heels of Peter Neumann’s recent version (MDG, 1/09), here is a live recording of Joshua made at...
Reviewed by David Vickers in issue: 8/2009
Here is a difficult one, the difficulty lying in the ease, and (since we are dealing in paradoxes) that being...
Reviewed by John Steane in issue: 7/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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