Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The relative novelty in this recital is a group of five British folk-song arrangements that Benjamin Britten made for voice...
Reviewed by Christopher Headington in issue: 7/1987
Knappertsbusch’s very early Decca LP studio recording, made in Vienna, is comparatively well known and loved, not least for Paul...
Reviewed by Alan Blyth in issue: 10/1998
‘The Old Testament of Piano Music’ (von Bülow) was a decisive work in our adoption of a 12-tone chromatic system....
Reviewed by Jeremy Nicholas in issue: 13/2004
Tibbett owned one of the most sheerly beautiful baritone voices of the century and he used it, at the peak...
Reviewed by Alan Blyth in issue: 3/1990
When the eye is on the ball, as it is for example in the very opening of the Symphony in...
Reviewed by John Steane in issue: 11/1999
Both these works date from the 1940s; both, as Nigel Kennedy points out in his refreshingly direct notes, are inspired...
Reviewed by hfinch in issue: 12/1986
These performances are beautifully recorded with, in the case of Le tombeau de Couperin, CD heightening one's appreciation of Ravel's...
Reviewed in issue 2/1985
These two early concertos first appeared as part of a five-record set which completed Alfred Brendel's Mozart piano concerto cycle....
Reviewed by Stephen Plaistow in issue: 12/1986
Jan Dismas Zelenka’s sacred music written for the Catholic Hofkapelle at Dresden has been well served by several fine discs...
Reviewed by David Vickers in issue: 9/2009
Whatever has since been achieved in Wolf interpretation as regards intelligence and sophistication – particularly in the performances of Schwarzkopf...
Reviewed by Alan Blyth in issue: 6/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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