Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Every recorded performance of Britten’s War Requiem has drawn the best from its interpreters – no wonder, considering the greatness...
Reviewed by Alan Blyth in issue: 6/1998
Rimsky-Korsakov's pen-ultimate opera was never popular at home in Soviet times, even with a text rewritten for Communist purposes, partly...
Reviewed by John Warrack in issue: 12/1999
Composer-performers tend to programme their own music at the first opportunity, but Artur Schnabel was different. He felt that every...
Reviewed in issue 8/1996
It is good to see the Heldentenor of the century remembered in his centenary year, having said which I fear...
Reviewed in issue 7/1990
There are few stranger, more recondite figures in the entire history of music than Nikolai Medtner. Recently he has been...
Reviewed in issue 7/2001
Delight, disappointment, dismay: barometrical readings in brief. The delight followed discovery of the recital's existence, for Dennis O'Neill is not...
Reviewed in issue 11/1987
Churning rhythm and seemingly minimalist, rigorously-controlled melodic patterns characterise three of Frederic Rzewski’s early works presented by the audacious and...
Reviewed by Jed Distler in issue: 8/2003
‘Palimpsest’ is a useful term for the kind of contemporary composition that superimposes disparate layers of material and explores their...
Reviewed by Arnold Whittall in issue: 1/2005
How thrillingly urgent Elgar's unforgettably gaunt introductory bars sound here - a magnificent launch-pad for an interpretation of unswerving dedication,...
Reviewed by Andrew Achenbach in issue: 3/2000
This is a very impressive-sounding recording – vivid and resonant, with a natural balance between the two instruments – and...
Reviewed by DuncanDruce in issue: 7/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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