Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Writing within the context of Sony’s CD booklet, Mark Salzman poses the question: “If basketball can have its Dream Team...
Reviewed in issue 4/1996
The Amadeus Quartet planned to celebrate their 40th anniversary last October at a special recital as part of the Semaine...
Reviewed in issue 10/1988
Erna Berger was a singer so dedicated to her art that the cares and problems of the war years were...
Reviewed by Alan Blyth in issue: 8/1993
How bewildering the ways of fashion! A few years back a collection such as this would, if it had appeared...
Reviewed by Andrew Lamb in issue: 1/1998
Unsurprisingly for a student piece, the first of Kabalevsky’s three piano concertos is a talented blend of Rachmaninov and Prokofiev,...
Reviewed by David Fanning in issue: 7/2006
Like his slightly younger compatriot Frank Martin, Othmar Schoeck enjoys the allegiance of the few rather than the acclaim of...
Reviewed by Robert Layton in issue: 12/1986
‘A soupcon of Schubert, a sprinkling of Stravinsky, a generous helping of Chopin, a dash of Schumann, a sprig of...
Reviewed by Bryce Morrison in issue: 11/1999
Precisely what Cesar Franck meant by the lento and allegro moderato that alternate in the first movement of the Symphony...
Reviewed by Michael Oliver in issue: 3/1991
Semyon Bychkov has been gathering golden opinions of late, both for the clarity and lucidity of his Strauss conducting and...
Reviewed by Richard Osborne in issue: 2/2005
Instead of coupling Chopin's B minor Sonata with its predecessor in B flat minor, like the majority of her rivals...
Reviewed by Joan Chissell in issue: 11/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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