Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Korngold revival shows no signs of abating. This ASV issue adds two further titles from his last years (he...
Reviewed in issue 1/2002
If the booklet-notes are anything to go by, the conductor identifies this music with the hectic activity of war. So...
Reviewed by David Gutman in issue: 3/2006
The name of the group, Munich Brass, is not a translation, the notes tell us, Munchner Blech was thought not...
Reviewed in issue 8/1989
The Guildhall String Ensemble has 11 players: six violins, two each of violas and cellos and a double-bass. How would...
Reviewed by Michael Oliver in issue: 10/1990
Last year Boccherini's string sextets made their debut on CD in the commemorative set issued by Capriccio (5/93); only one...
Reviewed by Stanley Sadie in issue: 6/1994
Vivid documentation and the close links between Venice’s music and her institutions have led over the years to memorable reconstructions...
Reviewed by Jonathan Freeman-Attwood in issue: 10/1998
For some, the main attraction of Abbado in Lucerne will be the great Italian maestro conducting Debussy at the 2003...
Reviewed by Jeremy Nicholas in issue: 1/2005
The choice of items is certainly intelligent: all four pieces demand virtuoso techniques from both players, but also something more....
Reviewed by rnichols in issue: 10/2000
Reviewed by kYlzrO1BaC7A in issue: 5/2001
First, the good news. The actual sound of this new Decca issue from Vladimir Ashkenazy and the Cleveland Orchestra of...
Reviewed by Robert Layton in issue: 4/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.