Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
An imaginative and well-realized coupling. Stenhammar’s Sixth Quartet is a model of formal economy and understated eloquence. The Sandstrom is...
Reviewed by kYlzrO1BaC7A in issue: 5/1998
There are already numerous excellent recordings of this work, and here's another, which for sheer technical accomplishment is at least...
Reviewed by Stanley Sadie in issue: 7/1993
Eighteen years after their first issue, these Schoenberg performances by the London Sinfonietta remain hard to beat. The reason is...
Reviewed by Arnold Whittall in issue: 6/1992
The Four Seasons is not the most obviously suitable repertoire for the Vienna Philharmonic, normally playing with at least four...
Reviewed in issue 12/1984
The renegade composers of Bang on a Can have been quietly growing up. Even David Lang, the ‘brattiest’ of the...
Reviewed by Andrew Achenbach in issue: 10/2003
This is a disc guaranteed to make the listener fall in love with the ripe, fruity, often tangy tone of...
Reviewed by Edward Greenfield in issue: 8/1999
In Jirí Belohlávek’s previous disc of Brahms’s First Piano Concerto (Supraphon), he provided his fluent and poetic soloist Ivan Moravec...
Reviewed by Jed Distler in issue: 4/2008
Kafka Fragments (1986) is the largest of György Kurtág’s song-cycles, and typical of this most inscrutable yet communicative living...
Reviewed by Richard_Whitehouse in issue: 9/2009
Dutch firm Channel Classics has been stepping in where major internationals are being cautious – recording the central repertoire. Here...
Reviewed by Edward Greenfield in issue: 13/2007
We are getting used to the idea that the best ‘Italian’ tenors may now come from Latin America; perhaps before...
Reviewed by John Steane in issue: 10/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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