Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Two recitals with very different approaches to building a programme for solo violin. Viviane Hagner’s is the more conventional, placing...
Reviewed by DuncanDruce in issue: 5/2007
Schnittke’s Fourth is his ecumenical symphony. Its material is abstracted from Catholic, Orthodox, Lutheran and Jewish chant and is used...
Reviewed in issue 7/1996
Modified rapture is my response to this new addition to the Hyperion Schubert edition. Make no mistake, the rapture is...
Reviewed by Alan Blyth in issue: 2/1993
In view of the remarks I'm about to make, it's worth pointing out that the Berlin Philharmonia Ensemble, one of...
Reviewed by hfinch in issue: 10/1994
The more I hear of Patrick Hadley’s music, the more I warm to it. There are numerous pages in the...
Reviewed by Andrew Achenbach in issue: 10/1999
It is surprising how few records there have been which re-create the triptych of the three concert overtures that Dvorak...
Reviewed by Ivan March in issue: 9/1992
The first recording of Balakirev's C major Symphony was made for Columbia in 1949 by Karajan and the Philharmonia Orchestra,...
Reviewed in issue 7/1990
The Klemperer and Walter recordings (to say nothing of the old and eccentric Hermann Scherchen set) were my education in...
Reviewed by Edward Seckerson in issue: 1/1990
Granville Bantock is the kind of British late-Romantic that Europeans from Herbert von Karajan to present-day casting directors have always...
Reviewed by Mike Ashman in issue: 11/2007
The booklet is unforthcoming, but HobXVI/5 and HobXVI/16 on Roland Batik’s disc are probably not by Haydn. Georg Feder in...
Reviewed by Nalen Anthoni in issue: 4/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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