Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This new recording of Bach's St John Passion from South Germany follows the version of the score which Bach first...
Reviewed by Nicholas Anderson in issue: 10/1992
We know that the Missa solemnis has moments of the utmost and loveliest serenity, others when a spirit of confidence...
Reviewed by John Steane in issue: 3/1991
This remarkable two-disc album is far and away the most interesting recording I have heard in recent months. Scholarly, entertaining,...
Reviewed by mberry in issue: 7/1992
In her interview for BBC Radio 4’s Desert Island Discs, Kyra Vayne told of the home-visiting fortune-teller who, having made...
Reviewed in issue 11/1996
A lot of the qualities that you want in a performance of The Rite are here: crisp detailing, precise articulation,...
Reviewed by Michael Oliver in issue: 8/1993
The modern singer preparing his Winterreise has a decision to make along lines which probably never even presented themselves to...
Reviewed by John Steane in issue: 6/2010
The late Hans Keller, shrewdest and most controversial commentator on music, used always to say that the composer who wrote...
Reviewed by Edward Greenfield in issue: 3/2010
New recordings of the Ninth were once major events in gramophone history. This was the work Leonard Bernstein sought to...
Reviewed in issue 7/1994
The flute quartets are not among Mozart's more popular works and I'm even very doubtful if he really wrote the...
Reviewed in issue 5/1985
Arensky's First Piano Trio has been recorded quite frequently, and with good reason. The melodic and some of the harmonic...
Reviewed by John Warrack in issue: 2/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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