Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Gidon Kremer and Valery Afanassiev enter a hotly contested area with this new release of works for violin and piano...
Reviewed by mjameson in issue: 3/1992
Daniel Hope has a chameleon-like ability to transform his style to fit every new recording. Often it’s revelatory, as in...
Reviewed by Harriet Smith in issue: 11/2007
Admirers of Han-Na Chang won’t be disappointed here; for someone still only in her mid-teens, she plays not only with...
Reviewed by DuncanDruce in issue: 5/1998
It is good to have Andre Previn’s 1973 set of Romeo and Juliet restored to circulation at such a reasonable...
Reviewed by Andrew Achenbach in issue: 7/1996
Brahms's song of the dying girl ''Immer leiser wird mein Schlummer'' recalls with tender pathos the ghostly half-remembered outline of...
Reviewed by Richard Osborne in issue: 10/1994
To juxtapose the Peer Gynt music of Grieg and Saeverud on record is such an obvious idea that it is...
Reviewed by Robert Layton in issue: 5/1998
The first of these settings will come as news to many. We know Howells in connection with Cambridge, Chichester, Gloucester,...
Reviewed by John Steane in issue: 5/2000
This is the third Stravinsky disc from this team and, like its predecessors (9 / 93 and 1 / 94),...
Reviewed in issue 12/1994
Where Tomás Bretón’s La Verbena de la Paloma, reissued by Naïve simultaneously with this disc (see page 84), represents the...
Reviewed by Andrew Lamb in issue: 10/2003
Kurt Atterberg's Fifth Symphony dates from 1922—the same year as Nielsen's—and shows a greater concentration of purpose and more consistent...
Reviewed in issue 8/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.