Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These are live performances, recorded in Vienna in 2007. The Brahms has a real sense of occasion, with Arabella Steinbacher...
Reviewed by DuncanDruce in issue: 7/2011
When reviewing Graham Fitkin's disc of music for six pianos (Argo, 1/93) JM remarked that ''Fitkin has been seduced by...
Reviewed by Michael Stewart in issue: 10/1993
This is a disc featuring the 1720 fortepiano by Bartolomeo Cristofori in the New York Metropolitan Museum of Art. 'Period...
Reviewed by Nicholas Anderson in issue: 2/2000
This is a very exciting disc indeed. We are hardly well-supplied with recordings of baroque music from Spain and Portugal,...
Reviewed in issue 12/1994
Up to the present, Nimbus’s Prima Voce series has restricted itself to the transcription of 78rpm vocal recordings made between...
Reviewed by John Steane in issue: 13/2007
One of the greatest moments in the classical repertoire occurs 31 bars into the slow movement of Beethoven’s late A...
Reviewed by Rob Cowan in issue: 4/2006
With the mice born of the mountainous labours of some other conductor-composers in mind, one can pay Dorati the compliment...
Reviewed by Michael Oliver in issue: 9/1986
The latest recording in Gardiner’s Bach Cantata Pilgrimage celebrates works written for the Feast of the Purification which falls on...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2000
Turn down the lights and get out your joss-sticks for this one: a selection of sixteenth-century Tenebrae music for Holy...
Reviewed by David Fallows in issue: 6/1998
There’s a new generation of French composers we know little about on this side of the channel, names like Bacri,...
Reviewed by Peter Dickinson in issue: 3/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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