Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Peteris Plakidis (b1947) was barely even a name to me before I encountered this beautifully recorded programme, set down in...
Reviewed by Guy Rickards in issue: 13/2007
With so much Villa-Lobos piano music unrepresented in the catalogues—will no one please record the second Prole do bebe suite,...
Reviewed by Lionel Salter in issue: 9/1988
The first thing that strikes one about this Mozart disc from America is the sound of the period string instruments...
Reviewed by Christopher Headington in issue: 7/1993
In 1980, Karajan and the BPO made a memorable LP recording of the Ninth Symphony in excellent analogue sound (DG)....
Reviewed by Richard Osborne in issue: 7/1984
There is no shortage of this repertory in the catalogue, and least of all is this true in the bicentenary...
Reviewed by Christopher Headington in issue: 9/1991
Lobgesang, Mendelssohn's ''Hymn of Praise'', is no longer a rarity on disc, with a dozen versions listed. That makes it...
Reviewed by Edward Greenfield in issue: 9/1994
This really is a pretty phenomenal achievement. Leslie Howard takes Liszt's ruthlessly thorough transcriptions of the Beethoven symphonies in his...
Reviewed by James Methuen-Campbell in issue: 9/1993
Last December (page 1138) Barrymore Laurence Scherer reported on the ''furore'' created by Kissin's New York debut recital. The concert...
Reviewed in issue 3/1991
Of the numerous recordings of Cosi fan tutte in the catalogue, many of them excellent, I don't think there is...
Reviewed by Stanley Sadie in issue: 2/1994
Against received opinion I would choose Schwarzkopf’s 1953 account of the Four Last Songs (EMI, 4/88) as my ‘Great Recording’,...
Reviewed by Alan Blyth in issue: 4/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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