Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In his complete recording of Salome for DG, made in Berlin (9/91), Sinopoli has already shown us how warmly sympathetic...
Reviewed by Edward Greenfield in issue: 3/1997
In the past we’ve had to make do with only the occasional glimpse of David Russell’s Albéniz on CD. Finally...
Reviewed by William Yeoman in issue: 9/2011
Is there anything Simon Keenlyside can’t do? In addition to displaying his dramatic and vocal flair in characters ranging from...
Reviewed by Patrick O'Connor in issue: 11/2006
Courtesy of BBC Legends, the discography of Janet Baker grows ever larger. The most significant addition here is a gloriously...
Reviewed by Alan Blyth in issue: 8/2003
Several British passengers have jumped on the Gunter Wand bandwagon since it started its British journey some years ago. Now...
Reviewed in issue 6/1985
It would appear Gruberova's popularity in Germany has led her to record repertoire not always well suited to her talents...
Reviewed by Alan Blyth in issue: 4/1986
Juan Diego Flórez is known first as a Rossini tenor and then rather more broadly as a singer in the...
Reviewed by John Steane in issue: 10/2006
Beethoven must have derived great inspiration from these intensely dramatic minor-key sonatas, and Brendel's playing emphasizes this very point. At...
Reviewed in issue 7/1985
Elisabeth Leonskaya offers a well-organized, business-person-like view of Tchaikovsky. But especially for the academically inclined Tchaikovsky on display in these...
Reviewed in issue 9/1992
The Christmas-Elf: A Christmas Fairy Story began its public life in 1906 as a play by Ilse von Stach, with...
Reviewed in issue 6/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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