Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Like his Serenade to Music, Vaughan Williams's An Oxford Elegy is an inspired translation of favourite poetry into music. Passages...
Reviewed in issue 6/1989
Leonard Bernstein's unique qualities as a Mahlerian shine through his work as composer and conductor. His death cut short what...
Reviewed in issue 2/1992
Here are three interesting pieces representative of the cosmopolitan side of Norwegian music in the mid-1980s. They are all played...
Reviewed in issue 10/1991
Among 19th-century violinist/composers, Antonio Bazzini (1818-97) was probably the most successful in escaping from exclusive specialisation in the virtuoso repertoire....
Reviewed by DuncanDruce in issue: 13/2008
Interest here will naturally gravitate toward the two-piano arrangement of The Planets made under Holst’s supervision by two of his...
Reviewed in issue 6/2001
This record seems to me slightly unnecessary. There are plenty of excellent recordings to be had of the two great...
Reviewed by Stanley Sadie in issue: 11/1993
For the collector looking for a single version of Shostakovich’s Preludes and Fugues there is no easy choice just at...
Reviewed by David Fanning in issue: 4/2001
Basil Poledouris is an expert in the fusion of music and images, but probably few realize that he also holds...
Reviewed in issue 9/1998
It is always a thrill to hear a performance of newly discovered music by a favourite composer, especially when it...
Reviewed by Julie Anne Sadie in issue: 12/2002
Solti's now-infamous comment that the Chicago Symphony was a provincial orchestra before he appeared is further discounted by the reissue...
Reviewed by Alan Blyth in issue: 5/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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