Rutter Gloria and other Sacred Music

Record and Artist Details

Composer or Director: John Rutter

Genre:

Vocal

Label: Hyperion

Media Format: CD or Download

Media Runtime: 79

Catalogue Number: CDA67259

Tracks:

Composition Artist Credit
Gloria John Rutter, Composer
Andrew Lumsden, Organ
City of London Sinfonia
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Wallace Collection
Come down, O Love divine John Rutter, Composer
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Lord, make me an instrument of thy peace John Rutter, Composer
City of London Sinfonia
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
To everything there is a season John Rutter, Composer
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
I my Best-Beloved's am John Rutter, Composer
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Praise the Lord, O my Soul John Rutter, Composer
Andrew Lumsden, Organ
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Wallace Collection
I will lift up mine eyes John Rutter, Composer
City of London Sinfonia
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
As the bridegroom to his chosen John Rutter, Composer
City of London Sinfonia
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
(A) Clare Benediction John Rutter, Composer
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
(The) Lord is my light and my salvation John Rutter, Composer
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Go forth into the world in peace John Rutter, Composer
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Thy perfect love John Rutter, Composer
City of London Sinfonia
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Te Deum John Rutter, Composer
Andrew Lumsden, Organ
John Rutter, Composer
Polyphony
Stephen Layton, Conductor
Wallace Collection
This superb disc contains a balanced cross-section of John Rutter’s sacred choral music, spanning over a quarter century and featuring several first recordings. Dedicated to the memory of his son, Christopher – tragically killed in a street accident in Cambridge earlier this year – it contains a selection of largely contemplative pieces framed by two ‘heavyweight’ works, with accompaniments for organ, brass and percussion. Beware the unwary listener who sets the volume control too high – the blistering brass which open the Gloria will tear you from your seat!
Rutter’s stylistic hallmarks are all here: an unfailing knack to get to the root of the text, exquisitely balanced vocal writing, melting harmonies, intensely sweet turns of phrase (sometimes overtly saccharine), short ecstatic climaxes, but also a willingness to be astringent, and rhythmically powerful. There are nods to pageantry, for example in the conclusion of the Gloria with its Waltonian swagger, some decliously echt Sullivan at the end of the Te Deum and, in I my Best-beloved’s am, an occasional vision of the neo-Byzantine soundworld of his fellow Highgate School pupil, John Tavener.
The artistry of the 25 full-bodied voices of Polyphony is beyond reproach, only suffering a deficit in sheer volume when pitted against the full fury of The Wallace Collection. Sumptuously recorded in Winchester Cathedral (for the brass items) and All Saints Tooting (for the orchestral and a cappella pieces), all the forces involved play to perfection. Greatly enjoyable and strongly recommended

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