Rutter Gloria and other Sacred Music
View record and artist detailsRecord and Artist Details
Composer or Director: John Rutter
Genre:
Vocal
Label: Hyperion
Magazine Review Date: 8/2001
Media Format: CD or Download
Media Runtime: 79
Catalogue Number: CDA67259
Tracks:
Composition | Artist Credit |
---|---|
Gloria |
John Rutter, Composer
Andrew Lumsden, Organ City of London Sinfonia John Rutter, Composer Polyphony Stephen Layton, Conductor Wallace Collection |
Come down, O Love divine |
John Rutter, Composer
John Rutter, Composer Polyphony Stephen Layton, Conductor |
Lord, make me an instrument of thy peace |
John Rutter, Composer
City of London Sinfonia John Rutter, Composer Polyphony Stephen Layton, Conductor |
To everything there is a season |
John Rutter, Composer
John Rutter, Composer Polyphony Stephen Layton, Conductor |
I my Best-Beloved's am |
John Rutter, Composer
John Rutter, Composer Polyphony Stephen Layton, Conductor |
Praise the Lord, O my Soul |
John Rutter, Composer
Andrew Lumsden, Organ John Rutter, Composer Polyphony Stephen Layton, Conductor Wallace Collection |
I will lift up mine eyes |
John Rutter, Composer
City of London Sinfonia John Rutter, Composer Polyphony Stephen Layton, Conductor |
As the bridegroom to his chosen |
John Rutter, Composer
City of London Sinfonia John Rutter, Composer Polyphony Stephen Layton, Conductor |
(A) Clare Benediction |
John Rutter, Composer
John Rutter, Composer Polyphony Stephen Layton, Conductor |
(The) Lord is my light and my salvation |
John Rutter, Composer
John Rutter, Composer Polyphony Stephen Layton, Conductor |
Go forth into the world in peace |
John Rutter, Composer
John Rutter, Composer Polyphony Stephen Layton, Conductor |
Thy perfect love |
John Rutter, Composer
City of London Sinfonia John Rutter, Composer Polyphony Stephen Layton, Conductor |
Te Deum |
John Rutter, Composer
Andrew Lumsden, Organ John Rutter, Composer Polyphony Stephen Layton, Conductor Wallace Collection |
Author:
This superb disc contains a balanced cross-section of John Rutter’s sacred choral music, spanning over a quarter century and featuring several first recordings. Dedicated to the memory of his son, Christopher – tragically killed in a street accident in Cambridge earlier this year – it contains a selection of largely contemplative pieces framed by two ‘heavyweight’ works, with accompaniments for organ, brass and percussion. Beware the unwary listener who sets the volume control too high – the blistering brass which open the Gloria will tear you from your seat!
Rutter’s stylistic hallmarks are all here: an unfailing knack to get to the root of the text, exquisitely balanced vocal writing, melting harmonies, intensely sweet turns of phrase (sometimes overtly saccharine), short ecstatic climaxes, but also a willingness to be astringent, and rhythmically powerful. There are nods to pageantry, for example in the conclusion of the Gloria with its Waltonian swagger, some decliously echt Sullivan at the end of the Te Deum and, in I my Best-beloved’s am, an occasional vision of the neo-Byzantine soundworld of his fellow Highgate School pupil, John Tavener.
The artistry of the 25 full-bodied voices of Polyphony is beyond reproach, only suffering a deficit in sheer volume when pitted against the full fury of The Wallace Collection. Sumptuously recorded in Winchester Cathedral (for the brass items) and All Saints Tooting (for the orchestral and a cappella pieces), all the forces involved play to perfection. Greatly enjoyable and strongly recommended
Rutter’s stylistic hallmarks are all here: an unfailing knack to get to the root of the text, exquisitely balanced vocal writing, melting harmonies, intensely sweet turns of phrase (sometimes overtly saccharine), short ecstatic climaxes, but also a willingness to be astringent, and rhythmically powerful. There are nods to pageantry, for example in the conclusion of the Gloria with its Waltonian swagger, some decliously echt Sullivan at the end of the Te Deum and, in I my Best-beloved’s am, an occasional vision of the neo-Byzantine soundworld of his fellow Highgate School pupil, John Tavener.
The artistry of the 25 full-bodied voices of Polyphony is beyond reproach, only suffering a deficit in sheer volume when pitted against the full fury of The Wallace Collection. Sumptuously recorded in Winchester Cathedral (for the brass items) and All Saints Tooting (for the orchestral and a cappella pieces), all the forces involved play to perfection. Greatly enjoyable and strongly recommended
Discover the world's largest classical music catalogue with Presto Music.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
SubscribeGramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.