Tchaikovsky String Quartet No 3

No heart-on-sleeve Tchaikovsky here but the Endellions are still persuasive

Record and Artist Details

Composer or Director: Pyotr Ilyich Tchaikovsky

Genre:

Chamber

Label: CRD

Media Format: CD or Download

Media Runtime: 77

Mastering:

Stereo
DDD

Catalogue Number: CRD3502

Tracks:

Composition Artist Credit
Souvenir de Florence Pyotr Ilyich Tchaikovsky, Composer
Endellion Qt
Pyotr Ilyich Tchaikovsky, Composer
Robert Cohen, Cello
Timothy Boulton, Viola
(4) Early Pieces, Movement: Allegretto, E Pyotr Ilyich Tchaikovsky, Composer
Endellion Qt
Pyotr Ilyich Tchaikovsky, Composer
(4) Early Pieces, Movement: Allegro vivace, B flat Pyotr Ilyich Tchaikovsky, Composer
Endellion Qt
Pyotr Ilyich Tchaikovsky, Composer
(4) Early Pieces, Movement: Andante molto, G Pyotr Ilyich Tchaikovsky, Composer
Endellion Qt
Pyotr Ilyich Tchaikovsky, Composer
Allegretto moderato Pyotr Ilyich Tchaikovsky, Composer
Andrew Watkinson, Violin
David Waterman, Cello
Garfield Jackson, Viola
Pyotr Ilyich Tchaikovsky, Composer
String Quartet No. 3 Pyotr Ilyich Tchaikovsky, Composer
Endellion Qt
Pyotr Ilyich Tchaikovsky, Composer
This disc completes the Endellions’ Tchaikovsky set. The elegiac Third Quartet shows a typically spirited approach, with wide-ranging expression. The great Andante funebre e doloroso has sometimes sounded more doleful at the start (it certainly does in the Borodin Quartet recording) but in this version the music keeps moving, as Tchaikovsky asks, and the consoling second theme is most beautifully characterised. The lengthy first movement is splendidly sustained – though here again the Borodins are more eloquent – and the Scherzo and finale have an infectious physical energy.

Souvenir de Florence receives an equally convincing performance: one is more surprised than usual at the title when the playing stresses the music’s Russian character so effectively. The textures seem especially clear and this is achieved while maintaining a dark, rich sextet sound: I was aware that even in this comparatively lightweight work there’s a distinct undertow of Tchaikovskian melancholy. The four early pieces – tiny, the longest lasting barely two minutes – are charming, and played here with elegance and wit.

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