Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Semiramide is ideally an opera for the big night out rather than the cosy evening at home‚ but‚ as the...
Reviewed in issue 13/2002
This set, unavailable on LP in this country for many years, is undoubtedly one of the all-time glories of the...
Reviewed by Alan Blyth in issue: 8/1989
This recording presents an intriguing programme of particular interest to musicians and musicologists working in the field of early sacred...
Reviewed by mberry in issue: 7/2008
This is the second Naxos CD devoted to the music of George Rochberg to appear in less than a year,...
Reviewed by Andrew Farach-Colton in issue: 10/2003
With Annette Dasch’s “Armida” (Sony, 12/07), Cyril Auvity’s “Orphée” (Zig Zag, 4/08) and now Stéphanie d’Oustrac’s “Médée furieuse”, we have...
Reviewed by Richard Lawrence in issue: 9/2008
One’s personal benchmarks are set by the artists of one’s formative years. For me, as for so many others, EMI’s...
Reviewed by Andrew Lamb in issue: 7/2008
But for ending with the Fantaisie instead of the Barcarolle, Howard Shelley chooses the same programme here as Pollini did...
Reviewed by Joan Chissell in issue: 7/1992
Having heard impressive things of the forthcoming CBS Compact Discs, I had high hopes of the present issue. The transfer...
Reviewed by Robert Layton in issue: 6/1983
In the years just after the war, two of the 20th-century’s greatest singers, Pinza and Melchior, moved from the opera...
Reviewed by Alan Blyth in issue: 2/2001
This is a record to have one even more open-mouthed than usual at the pure wizardry of Heifetz. All four...
Reviewed by Edward Greenfield in issue: 4/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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