Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Saint-Saens was a fine pianist himself, and the five concertos he wrote for his instrument between 1858 and 1896 are...
Reviewed by Christopher Headington in issue: 5/1990
The cover blurb claims that although “Schütz would never have heard his music performed by forces such as these and...
Reviewed by David Vickers in issue: 7/2008
The early-1940s were the high noon of Traubel’s career. Brought in first as an American counterpart to Flagstad at the...
Reviewed by Alan Blyth in issue: 5/1997
Kullervo had to wait until 1958 for its performance in modern times when it was conducted by Sibelius's son-in-law, the...
Reviewed by Robert Layton in issue: 4/1986
Aníbal Cetrangolo is not only the director of the Ensemble Albalonga‚ he is also an expert on the Italian composer...
Reviewed in issue 9/2002
Yoritsune Matsudaira (1907-2001) was descended both from the Shogun rulers of Japan and the Fujiwaras, among the most powerful factions...
Reviewed by bwitherden in issue: 2/2005
Monteverdi's eight books of madrigals, published at intervals during a long composing career, have received something of an uneven press....
Reviewed by Iain Fenlon in issue: 10/1993
Elsner possesses a sappy, evenly produced tenor, allowing more heroic effects in the more forceful songs than some of his...
Reviewed by Alan Blyth in issue: /2000
A compilation such as this would be outstanding in any context. That it comes at a time when Decca’s series...
Reviewed in issue 5/2001
Jack Liebeck, who is still only in his mid-twenties, knows how to bow a singing line, most notably here in...
Reviewed by Rob Cowan in issue: 11/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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