Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Hindemith's organ sonatas must be among the most successful realizations of the Gebrauchsmusik ideal. Technically they are not beyond reach...
Reviewed in issue 12/1986
These are really impressive performances. Angele Dubeau and Anton Kuerti are at one in maintaining the intimate tone of Schubert’s...
Reviewed by DuncanDruce in issue: 10/1997
The conventional mingles with the unconventional. Christian Gansch represents the conventional. He is a well schooled conductor and helpful partner...
Reviewed by Nalen Anthoni in issue: 5/2007
The Codex Faenza is one of the few remaining sources for instrumental music at the turn of the fifteenth century....
Reviewed by Fabrice Fitch in issue: 13/1998
When my son asks me, as I fear one day he will, “Daddy, did they have proper conductors when you...
Reviewed by Richard Osborne in issue: 9/1996
Mischa Maisky, unlike the other cellists who offer the two best-known Haydn cello concertos in coupling, provides a substantial bonus...
Reviewed by Edward Greenfield in issue: 11/1987
This issue offers a wide variety of styles, which is not to its advantage. The account of the Clarinet Quintet...
Reviewed by Christopher Headington in issue: 6/1991
This classic mono recording of Delius’s Mass of Life, made in the winter of 1952-53, has been seriously neglected in...
Reviewed in issue 8/2001
Felicity Lott and Graham Johnson gave this same programme of Poulenc melodies last year in Paris on the thirtieth anniversary...
Reviewed by Patrick O'Connor in issue: 8/1994
Like so many of his contemporaries Bartok underwent a period of artistic self-examination immediately after the First World War. The...
Reviewed in issue 1/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.