Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Having launched its collected edition of Anderson’s orchestral music with such a first-rate programme (3/08), Naxos might reasonably have been...
Reviewed by Andrew Lamb in issue: 7/2008
This is only the second recording, as far as I know, to follow the manuscript parts of Vivaldi's Four Seasons...
Reviewed by Nicholas Anderson in issue: 4/1992
By contrast with Dux’s previous efforts for the Karlowicz series, here the honours seem fairly even between the Polish players...
Reviewed by David Fanning in issue: 4/2009
This first thing that struck me about this disc was Oliver Wazola’s fascinating booklet-note. It relates an extraordinary incident in...
Reviewed by Rob Cowan in issue: 12/2004
This bounty from the archive would be welcome at any time but never more so than at the present. Glyndebourne’s...
Reviewed by John Steane in issue: 2/2011
Rosenberg is an exact contemporary of Milhaud and Honegger, though his centenary last year went almost unremarked in this country....
Reviewed by Robert Layton in issue: 5/1993
Volume 2 of “The Early Recordings” once more shows Michelangeli, among the greatest of all pianists, as an introvert who...
Reviewed by Bryce Morrison in issue: 7/2010
Christoph von Dohnanyi's readings of the Fifth and Seventh Symphonies are smoothly, perhaps at times too smoothly, executed. Phrasing is...
Reviewed by Richard Osborne in issue: 9/1988
Eleven imaginative and melodically striking vocal pieces from a collection published in 1660, towards the end of the relatively short...
Reviewed by Lindsay Kemp in issue: 8/1999
Some fairly remote corners of the repertoire are explored here. Since very few composers of stature have written for this...
Reviewed by Lionel Salter in issue: 1/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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