Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Robin Milford was born into a literary family (his father was head of Oxford University Press), educated at Rugby School...
Reviewed by Andrew Achenbach in issue: 10/2008
Surely no key used by Schubert unlocked more personal secrets than A minor. That was certainly my own feeling after...
Reviewed by Joan Chissell in issue: 10/1989
This extended television profile of William Walton by Tony Palmer‚ winner of the Italia Prize‚ is among the most moving...
Reviewed in issue 5/2002
Sequentia’s two recent releases, “Shining light” and “Aquitania”, offer two-and-a-half-hours of enthralling listening. They complement each other in their exploration...
Reviewed by mberry in issue: 12/1997
During his 13 years as principal conductor of the excellent South-West German Radio Symphony Orchestra between 1986 and 1999, Michael...
Reviewed by Richard Osborne in issue: 9/2003
There is a super photograph on the back of Testament’s booklet showing Boult rehearsing the Gothic in the Royal Albert...
Reviewed by Guy Rickards in issue: 4/2010
Even after 50 years, the archives continue to uncover ‘new’ recordings by the legendary Kathleen Ferrier. The two performances on...
Reviewed by Alan Blyth in issue: 9/2003
'After Chekhov' declares the title-page of this opera by Peter Eotvos: and although the text remains in Russian the theatrical...
Reviewed by Arnold Whittall in issue: 1/2000
An enticing package: the young Bartok, not yet 30, pre and post Bluebeard. Indeed, the first of his Four Pieces,...
Reviewed by Edward Seckerson in issue: 9/1990
After a decade of comparative inactivity the Massenet revival on disc is gathering pace again. Following October's live recording of...
Reviewed in issue 12/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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