Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
''The classic master of Polish song'' is how Moniuszko has been desribed by Gerald Abraham (in what is itself a...
Reviewed by John Warrack in issue: 9/1985
Let me begin by looking on the positive side of things. Talvela is a gloriously rotund, relishing Osmin, brandishing his...
Reviewed by Alan Blyth in issue: 4/1987
One of the main reasons for the success of this disc is that instead of doggedly ploughing his way through...
Reviewed by Jeremy Nicholas in issue: 3/2009
There is strong competition for these performances on other CDs. Karajan and the Berlin Philharmonic have recorded both works magnificently...
Reviewed in issue 4/1989
There is obviously a certain risk involved in issuing a BBC broadcast of 1970: by today’s yardstick, many of the...
Reviewed by David Fallows in issue: 1/1997
It’s the Cinderella fable’s turn to be given a 1990s make-over. Though the film’s look is in keeping with the...
Reviewed in issue 12/1998
I have always found most moving the set of five Improvisations that Elgar recorded at the piano in 1929, straight...
Reviewed by Edward Greenfield in issue: 11/2003
The long gestation of Road Show – formally Wise Guys, Gold and Bounce (which was also recorded by Nonesuch/PS...
Reviewed by Edward Seckerson in issue: 10/2009
This is a recital sombre in mood, Glinka’s splendid ‘Travelling Song’ being virtually the only piece of merriment. Alexander Blok,...
Reviewed by John Warrack in issue: /2000
A quick glance at this disc and most readers familiar with recent trends in Bach performance will assume that what...
Reviewed by Lindsay Kemp in issue: 3/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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