Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
''Full of life, musical colour and emotion, yet incapable of a satisfactory production except perhaps in symbolica terms, I lombardi...
Reviewed in issue 11/1989
The Easter Oratorio, Kommt, eilet und laufet (BWV249) is the most neglected of all Bach's major vocal works on disc....
Reviewed by Nicholas Anderson in issue: 7/1994
As if in answer to last month’s Singertalk, a major company issues a recital by this admirable tenor – and...
Reviewed in issue 11/1999
Griselda was performed only once at Rome’s Teatro Capranica in 1721, towards the end of Alessandro Scarlatti’s career. It was...
Reviewed by David Vickers in issue: 12/2003
Having already issued Karajan's version of Carmen complete on CD, DG might have given a break to the preferable Abbado...
Reviewed by Alan Blyth in issue: 2/1985
Gliere's ballet suite and Knipper's symphony might not appear to have much in common but their coupling is an inspiration...
Reviewed in issue 7/1989
Elena Firsova declares her settings of Osip Mandelstam to be her most important works, and this selection of three of...
Reviewed by David Fanning in issue: 3/2005
On this record Earl Wild celebrates his eightieth birthday in inimitable style. Letting down his snow white hair he thunders...
Reviewed by Bryce Morrison in issue: 12/1995
This first recording of the three Peteris Vasks quartets opens with the most recent and best. Written in 1995, the...
Reviewed in issue 7/1999
For their tenth recording and their first of the new millennium, Anonymous 4 have decided to go apocalyptic. Not that...
Reviewed by Tess Knighton in issue: 11/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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