Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I first heard Julia Fischer in 1995 as a 12-year-old in the Yehudi Menuhin Violin Competition. Not only did she...
Reviewed by Edward Greenfield in issue: 1/2005
These performances were constructed, using samples and sequencers, from huge numbers of computer-stored digital recordings of every orchestral instrument’s complete...
Reviewed by bwitherden in issue: 10/2003
Readers acquainted with the Haydn symphonies recorded by this chamber orchestra will already know of its excellence. This new Handel...
Reviewed by Nicholas Anderson in issue: 11/1992
The third disc in The Cardinall’s Musick’s recording of the complete Fayrfax for ASV Gaudeamus is in many ways their...
Reviewed by Tess Knighton in issue: 7/1997
Jenkins is probably the finest English composer for instruments of the mid-seventeenth century, so this recording, which mixes stunning divisions...
Reviewed in issue 10/1999
The title of this recording comes, appropriately, from Thomas Campion’s Elegie upon the untimely death of Prince Henry: ‘his carriage...
Reviewed in issue 6/1999
Long thought of as a barren period for the solo oboe, the nineteenth century has yielded up a good many...
Reviewed by John Warrack in issue: 5/1990
The finest French violinist of the 18th century, Jean-Marie Leclair brought to the elegance and refinement of his country’s music...
Reviewed by Lindsay Kemp in issue: 8/2006
No matter how many times one hears this piece, one can still marvel at the confidence and accomplishment of Mahler's...
Reviewed by Edward Seckerson in issue: 2/1992
To have included the Paganini Rhapsody would have taken the Decca CDs up to around 78 and 80 minutes. It...
Reviewed in issue 4/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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