Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As with Sawallisch's Symphonies Nos. 4 and 7 (12/92), it isn't hard to find things to admire. Again the recordings...
Reviewed by Stephen Johnson in issue: 4/1993
Andrea Kauten is a Hungarian-Swiss pianist who, according to Sony's fulsome notes, wishes everyone could be filled with her passion...
Reviewed by Bryce Morrison in issue: 2/2007
Was it The Sound of Music that started it off? Some years later that ever-popular ''The Sound of King's'' appeared;...
Reviewed by mberry in issue: 11/1988
‘The World’s First Piano Concertos’ – it’s a slightly silly claim: certainly some of these are among the earliest piano...
Reviewed by Stanley Sadie in issue: 7/2003
For those on a limited budget, this outstandingly generous Naxos anthology will prove a pretty irresistible purchase, I fancy, and...
Reviewed by Andrew Achenbach in issue: 8/2000
The current Gramophone Classical Catalogue contains little competition for this generous introduction to the fashionable, Roaring Twenties aspect of Schulhoff's...
Reviewed in issue 12/1995
After the events of 1789, François-Joseph Gossec (1734-1829) became an ardent musical icon of the revolution: Le Triomphe de la...
Reviewed by David Vickers in issue: 7/2006
''Help! Where can one hide from such music?'' Thus wrote Liadov about Scriabin's Second Symphony, and he was entrusted with...
Reviewed by John Steane in issue: 11/1990
In August 1980 these forces recorded for Decca a version of Ravel's Daphnis and Chloe that has, justifiably, acquired classic...
Reviewed by John Steane in issue: 6/1990
The present version of Dvorak’s Requiem has undergone various transformations, from the original issue in a handsomely boxed set of...
Reviewed by John Warrack in issue: 11/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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