Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
One selection has already been extracted from Martinon's original five-record set of Ravel's complete orchestral music (12/88), but this skims...
Reviewed by Lionel Salter in issue: 4/1989
Very moving it is to hear this voice again in its absolute prime. Consulting the original review (3/81) of the...
Reviewed in issue 1/1998
Jordi Savall’s Hespèrion XXI joins Phantasm (Channel Classics‚ 8/02) and Concordia (Metro nome‚ 8/02) in celebration of William Lawes’s 400th...
Reviewed in issue 9/2002
Common to these performances, both of which were mined from the archives of the French National Audiovisual Institute, is the...
Reviewed in issue 9/1993
For all Brahms’s melodic and rhythmic inventiveness in his Liebeslieder waltzes, anyone who listens to the two sets straight through...
Reviewed by Richard Wigmore in issue: 10/2011
Caballe's Tosca is one of the most ravishingly sung on record, with scarcely a less than beautiful note from one...
Reviewed by Michael Oliver in issue: 8/1993
I shall be watching out for Michiyoshi Inoue. The notes tell me that he won the Guido Cantelli competition in...
Reviewed by Edward Seckerson in issue: 9/1989
Reprehensibly‚ Harmonia Mundi has omitted the identifying TWV numbers. They are needed‚ because though Peter Wollny in the booklet states...
Reviewed in issue 13/2002
In Abbado's hands, the opening of the symphony is a massive gesture, the rising wind motif suggesting a drama-in-progress, the...
Reviewed by Edward Seckerson in issue: 1/1991
No one would claim a specially high place among Handel’s oratorios for Joseph and his Brethren, but the neglect it...
Reviewed by Stanley Sadie in issue: 12/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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