Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here are two great quartets from the set of six that Mozart composed in 1782-85 and dedicated to Haydn. The...
Reviewed by Christopher Headington in issue: 11/1992
Bernard Herrmann’s superbly colourful and imaginative score for Ray Harryhausen’s The Seventh Voyage of Sinbad – the first of this...
Reviewed by Andrew Achenbach in issue: 12/1998
“Une grande innocence”, says Arkel of Melisande. The same quality could be said to invest the music of Federico Mompou....
Reviewed by Lionel Salter in issue: 9/1997
It had long been known that The three-cornered hat, which established Falla's reputation when it was produced by Diaghilev's Ballets...
Reviewed by Lionel Salter in issue: 3/1985
Denes Koromzay, joining here one of the most gifted of the younger Hungarian quartets, is the sometime violist of the...
Reviewed by Stephen Plaistow in issue: 10/1985
Conductor Steven Sloane has been taking up the cause of Joseph Marx, perhaps better known for his songs than for...
Reviewed by John Warrack in issue: 2/2005
From Le banquet celeste of 1926 to the Livre du Saint Sacrement of 1984, Messiaen's organ works represent an extraordinary...
Reviewed in issue 12/1994
The music of Claude-Bénigne Balbastre (1727‑99) “embodies the last flowering of the French harpsichord’s repertoire”, according to Sophie Yates, whose...
Reviewed by Jed Distler in issue: 5/2011
I am not sure how I feel about a Mass based on Latin American rhythms, and with obbligato decorations from...
Reviewed by Ivan March in issue: 2/2001
For his recording of The Art of Fugue, Fabio Bonizzoni uses Bach’s early manuscript edition (Bach P200) to determine the...
Reviewed by Jed Distler in issue: 5/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.