Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a delightful collection of Italian madrigals, some contrapuntal but the majority syllabic and homophonic. Concerto Italiano have one...
Reviewed by mberry in issue: 5/2008
Here is a noble tribute to a noble pianist. Gina Bachauer (1913-76) was an artist whose exultant virtuosity and unswerving...
Reviewed by Bryce Morrison in issue: 8/2005
Hands up those familiar with the music of Jef Vermeiren, Lodewijk Mortelmans, Clement D’Hooghe and Karel Albert! This recital of...
Reviewed by Bryce Morrison in issue: 8/2003
Eric Blom was unfortunately not far off the mark when, 40 years ago, he wrote of Florent Schmitt in Grove...
Reviewed by Lionel Salter in issue: 3/1995
How odd that a German conductor and record company and an Australian orchestra should be unearthing a British composer of...
Reviewed by John Steane in issue: 2/1999
The first thing to say about this historically interesting set is that it cannot be judged according to criteria normally...
Reviewed in issue 8/2001
Of the two discs here, the second is in sound only and comprises 14 tracks, not necessarily offered (or acceptable)...
Reviewed by kYlzrO1BaC7A in issue: 7/2004
They’re all here‚ these Sundaybest anthems of the StanfordtoHowells era – the years of plenty we may think of them...
Reviewed in issue 8/2002
“Formal orgies” was Strauss’s phrase – only it’s better in German, Gestaltungsorgien. In the whole choral repertoire, it’s hard to...
Reviewed by John Steane in issue: 3/2010
Haydn's concertos are mostly early, but the well-known Trumpet Concerto is an exception and so is the D major Keyboard...
Reviewed by Christopher Headington in issue: 11/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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