Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Kalinnikov's Second Symphony doesn't have the dramatic power or imaginative fire of its better-known predecessor, but it's full of ingratiating...
Reviewed by Stephen Johnson in issue: 6/1990
Treasure trove, pure and simple. Britten conducts the music of his beloved mentor and teacher, Frank Bridge, with a heartwarming...
Reviewed by Andrew Achenbach in issue: 8/1999
Don’t let the image of an attractive lady on the CD booklet-cover fool you into thinking that the marketing people...
Reviewed by Rob Cowan in issue: 10/2010
This work, based on Byron's poem, The Corsair, is one of the most economic and inspired of Verdi's early scores....
Reviewed by Alan Blyth in issue: 3/1990
Schumann was by no means the only composer obsessed with Robert Burns but no one caught the Scot’s sentiments more...
Reviewed by Harriet Smith in issue: 4/2010
A modest record of little-known music with f ew, if any, pretensions to greatness and played on 'contemporary' instruments. The...
Reviewed in issue 5/1984
It is sad that Jacqueline du Pre herself never heard these magnetic, uniquely intense readings with the extra immediacy of...
Reviewed by Edward Greenfield in issue: 2/1988
There must be many different ways of exploring Beethoven. Imaginative programming – putting Beethoven’s last violin and piano sonata together...
Reviewed by DuncanDruce in issue: 10/2003
The Aurora Ensemble, led by Enrico Garri, take Corelli very seriously. They play on period instruments with both warmth and...
Reviewed in issue 4/1991
Set in fourteenth-century Chitoor (which Roussel visited in 1909 sharing Ramsay Macdonald's elephant), Padmavati combines exotic indulgence with heroic astringency....
Reviewed in issue 9/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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