Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Though Dalberto has competition in the two bigger works in the Blumenstuck the CD field is all his own. Like...
Reviewed by Joan Chissell in issue: 6/1988
No one who heard young Charlie Mackerras conduct Kát’a Kabanová at Sadler’s Wells in 1951 is likely to have forgotten...
Reviewed by John Warrack in issue: 12/2005
I have waited for some time for this recording of early Renaissance Spanish music‚ having heard the Dufay Collective perform...
Reviewed in issue 9/2002
This won’t do for the all-or-nothing people, those who complain of bleeding chunks and defend the inviolable integrity of an...
Reviewed in issue 5/2001
Bach had a large family (as was obviously known to the famous O-level candidate who was inspired to write ''Bach...
Reviewed in issue 7/1984
As a schoolboy, I was offended by the critic F. Bonavia's refusal to call Grieg's Piano Concerto a masterpiece, especially...
Reviewed by Christopher Headington in issue: 4/1991
Given the ubiquity of Rudolf Barshai’s Shostakovich string quartet adaptations, it’s something of a puzzle that there haven’t been more...
Reviewed by David Gutman in issue: 5/2007
This is important. The bluntness may I hope be excused because for once we have a recording which has...
Reviewed by John Steane in issue: 4/2006
Anton Rubinstein was an equivocal figure in his lifetime, as he somewhat ruefully recognised, and has remained so. As these...
Reviewed by John Warrack in issue: 4/2003
This is a debut CD from the Parnassian Ensemble, two recorders and continuo who have here homed in on a...
Reviewed by Lindsay Kemp in issue: 4/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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