Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Recorded live in Montreux last February, Herreweghe's recording of the Missa solemnis vies with Gardiner's studio performance with period forces...
Reviewed by Edward Greenfield in issue: 12/1995
What new can one say about Tauber singing Lehar under the composer's baton? Suffice it to say that, in the...
Reviewed by Andrew Lamb in issue: 3/1989
Milhaud's admirers will need no reminder that his output was as uneven as it was enormous and that an issue...
Reviewed by Christopher Headington in issue: 11/1995
Bernard Roberts’ view of Bach runs roughly along the lines of Schnabel’s‚ Serkin’s or Horszowski’s: in other words‚ it’s more...
Reviewed by Rob Cowan in issue: 10/2001
Martinu’s Suite concertante has as chequered a history as any work I know. Commissioned in 1938 by Samuel Dushkin –...
Reviewed by Guy Rickards in issue: 7/2008
The labelling of this record as Supraphon Historical is almost poignantly accurate; it is also a historic record in several...
Reviewed by John Warrack in issue: 7/1993
The introductory essay by J. T. Linford quotes Hamlet's advice to the players, the bit about the desirability of temperance...
Reviewed in issue 11/1991
Now 76, Aaron Rosand has devoted more of his time than most to keeping alive the Golden Age, when violin...
Reviewed by Jeremy Nicholas in issue: 4/2005
The one ''indispensable thing'' a recitalist needs, or so wrote Pierre Bernac, Poulenc's greatest interpreter, is to have ''a great...
Reviewed by Patrick O'Connor in issue: 11/1994
Rameau was no stranger to the art of transcription‚ as two of the pieces in these suites testify – notably...
Reviewed by Stephen Plaistow in issue: 5/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.