Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In 1957 HMV issued three LPs containing Elgar's recordings as part of his birthday centenary celebrations. Then in the early...
Reviewed in issue 6/1992
There are many for whom the sounds on this record represent home. It is rare to find a recording of...
Reviewed in issue 4/1986
The French composer Benjamin Godard (1849‑95) is remembered today for the Berceuse from his opera Jocelyn (Bing Crosby made a...
Reviewed by Jeremy Nicholas in issue: 11/2011
Affectionate, vibrant performances, one and all. Svetlanov's reading of the hugely engaging Third Symphony in particular is a joy: tempos...
Reviewed by Andrew Achenbach in issue: 5/1993
This invaluable set was produced by the Phonoteque Nationale to celebrate the birth centenary of a composer who strongly supported...
Reviewed in issue 9/1993
These two boyhood works of Mendelssohn, dating from his early teens, make an excellent coupling, providing generous measure too, when...
Reviewed by Edward Greenfield in issue: 9/1998
As readers will most probably know, the two sets of Brahms's Hungarian Dances were originally scored for piano, four hands....
Reviewed by James Methuen-Campbell in issue: 3/1993
There seems to be an insatiable demand for collections of trumpet concertos, and sometimes when I see yet another one...
Reviewed by Ivan March in issue: 12/1991
The aesthetics of this intriguing disc are interesting: in what sense can the recreations of a jazz pianist’s recorded improvisations...
Reviewed by Jeremy Nicholas in issue: 3/2005
This thoughtfully constructed programme opens with some of the best of Wolf's Goethe-Lieder, has the Michelangelo settings satisfyingly interpolated, and...
Reviewed in issue 4/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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