Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Not so long ago I was reviewing an impressive studio recording from Chesky (2/98), conducted by Charles Gerhardt, of much...
Reviewed by Ivan March in issue: 5/1998
Anyone who finds Prokofiev, Bartok or Stravinsky’s piano music insufferably rude may value Alwyn’s object lessons in refined behaviour. Others...
Reviewed by David Fanning in issue: 10/2000
It is over a decade now since Gidon Kremer and Kremerata Baltica introduced us to this unusual interleaving of works,...
Reviewed by Lindsay Kemp in issue: 7/2011
Reviewing the BIS disc listed above, which included Schnittke's String Trio, DJF declared: ''there will surely be a finer recording...
Reviewed by Arnold Whittall in issue: 8/1994
American composer Toby Twining (b. 1958) studied composition with Ben Johnson at the University of Illinois and piano with Helen...
Reviewed by Michael Stewart in issue: 2/1995
It is hard to realize that Benjamin Britten's authoritative reading on Decca—a set which became a classical best-seller on both...
Reviewed by Edward Greenfield in issue: 12/1983
It was a lovely idea to pair these two delightful works, though I suspect that most collectors who fancy Brahms's...
Reviewed by Rob Cowan in issue: 1/2000
UCJ makes real capital of the fact that this “50th Anniversary Recording” of perhaps the greatest score ever written for...
Reviewed by Edward Seckerson in issue: 9/2007
Volume 5 of Naxos’s survey of Liszt’s piano music offers an introductory selection of his masterly transcriptions of Schubert songs....
Reviewed by Tim Parry in issue: 6/1998
The death of Berio leaves Salvatore Sciarrino (b1947) the sole representative of the 20th-century Italian avant-garde still active on the...
Reviewed by Arnold Whittall in issue: 4/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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