Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sir Harrison Birtwistle’s Endless Parade is one of the more substantial celebrations of trumpeter Håkan Hardenberger’s virtuosity. Hardenberger’s own 1990...
Reviewed by Arnold Whittall in issue: 3/2010
Claude Le Jeune (1530-1600) makes his own first appearance on CD, and joins only a very few other CD examples...
Reviewed in issue 3/1987
This is the finest version of the Konzertmusik to have appeared on disc. Bernstein may be more massig (moderate) than...
Reviewed by John Steane in issue: 5/1991
In all Jennifer Bate’s wide-ranging discography, I most admire the recordings of British organ music in which she has taken...
Reviewed by Marc Rochester in issue: 7/2005
Oxana Yablonskaya (Russian-born but American-based) offers a richly comprehensive selection of Rachmaninov's music, taking us through fiery intricacy, veiled melancholy...
Reviewed by Bryce Morrison in issue: 6/1994
The Russian State Symphonic Cappella under the energetic direction of Polyansky continue their traversal of Bortnyansky’s monumental production of sacred...
Reviewed in issue 10/2002
Issued previously on Laserdisc in 2000, this now reappears on DVD in the Opus Arte Scala Collection, in which it...
Reviewed by John Steane in issue: 5/2005
This is a fascinating anthology comprising four vintage Argo/Decca offerings made between 1970 and 1974. All were originally sponsored by...
Reviewed by Andrew Achenbach in issue: 13/2008
Boccherini’s Op 42 – these are the ‘opuses’ he classified himself, not the different numbers used by his publishers –...
Reviewed by Stanley Sadie in issue: 11/2003
Couperin’s two suites for bass viol and continuo from 1728 contain some of the finest music written for them. They...
Reviewed by Julie Anne Sadie in issue: 3/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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