Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Not for the first time is reappearance on CD a mixed blessing. With the singers that much closer to you...
Reviewed by Michael Oliver in issue: 3/1987
Extraordinary to think that such an appealing work as Stanford’s 1880 Cello Concerto should have been allowed to languish neglected...
Reviewed by Andrew Achenbach in issue: 12/2011
What an enticing programme, with Ashkenazy Sr joined by his son Vovka for an all-French repast. One of the most...
Reviewed by Harriet Smith in issue: 2/2010
Franz Krommer is Frantisek Kramar, one of the most gifted of the Bohemians who made a career in Vienna in...
Reviewed by John Warrack in issue: 7/1994
The Honegger, Martinu and Rivier pieces are not currently listed in the Gramophone Classical Catalogue, but these fine performances do...
Reviewed in issue 7/1985
In embarking on a Mozart concerto cycle, Jeremy Menuhin is pitting himself against the likes of Brendel, Uchida (both Philips),...
Reviewed by Richard Wigmore in issue: 2/2006
Rafael Kubelík’s 1970 Deutsche Grammophon recording of Mahler’s Seventh Symphony‚ made with this same orchestra in this same hall‚ was...
Reviewed in issue 10/2001
The first and outstanding volume of Sonia Rubinsky’s cycle of VillaLobos’s piano music was issued in 1999 (7/99). But the...
Reviewed in issue 1/2002
This is undoubtedly the most successful modern recording of this work. For once virtually no excuses or reservations have to...
Reviewed by Alan Blyth in issue: 8/1986
It was on the tip of the tongue to refer to Dame Isobel and Dame Kathleen, but of course Ferrier...
Reviewed in issue 9/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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