Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Since the classic Kyrill Kondrashin account (Melodiya, 1/69) continues its purgatorial wait for reincarnation, the field is still wide open...
Reviewed by David Fanning in issue: 12/1999
Die Jahreszeiten, admitted Haydn, was no second Schopfung. If Die Schopfung was a hard act for even the composer to...
Reviewed by hfinch in issue: 2/1988
Regular readers will recall that for some time I have been quietly praying for another record of Emma Kirkby singing...
Reviewed by Iain Fenlon in issue: 4/1988
I seem to have heard so many different versions of the Goldberg Variations just lately that I am in danger...
Reviewed by Marc Rochester in issue: 5/1990
Black Pentecost (1979) has a clear point to make. The old Orkney ways—and perhaps the islands themselves—are under threat from...
Reviewed by Stephen Johnson in issue: 8/1993
Marenzio's Nono Libro di Madrigali is without doubt one of the great undiscovered treasures of the Italian madrigal repertory. The...
Reviewed by Iain Fenlon in issue: 1/2000
Here is another fine disc from the conductor, orchestra and production team responsible for RCA's terrific collection of music by...
Reviewed by David Gutman in issue: 4/2000
First a word about editions. Marcus Bosch uses the same edition chosen by Georg Tintner and Simone Young, namely the...
Reviewed by Rob Cowan in issue: 5/2011
Frans Bruggen and the Orchestra of the Eighteenth Century use period instruments, of course, but no one need think that...
Reviewed by Stanley Sadie in issue: 10/1996
For his third DG disc, 22-year-old prize-winning Yundi Li returns to Chopin, performing music which won him standing ovations in...
Reviewed by Bryce Morrison in issue: 12/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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